preface to note:
noticing my ignorance regarding the project's name
i looked at the asu art museum web site
and realized that the concept of a studio
in the gallery is theirs (what a great idea)
this colors the implications of what i
wrote, here, to a degree
dear Nenflidio,
your work,
your present exhibition,
seem rooted in the chaotic
in which
as it seems to me
you are expressing order through very disciplined
action
my questions, maybe
are about how you develop
that kind of discipline
it is something i am exploring
in my own work ...
how to do it, and also
what its implications are
when i asked about the temporal scope
of your project here
at the asu art museum
you described
in the most precise imaginable way
and all extemporaneously
a whole series of projects
i envision
a time line,
which i would construct
by interview you
of how you constructed that agenda
are there documents involved?
this next question, I think
goes to your method's implications:
when I entered the gallery
you were in conversation with a young lady
then you talked with me for several
minutes
can you recall a series of these conversations?
can we map them, to some extent
how do you think their impact on us
is rippling into the world?
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